Earth of the near future isn’t as apocalyptic as some might have feared. Flooding has changed the face of the coastal cities – but most have been reclaimed or somehow preserved. Among them is Copenhagen, known for its canal architecture, its culinary movement and its tourism.
At the top of the tourism pyramid stands Henry Salt, the American owner of a hotel chain and one of the richest men on earth. At his right hand stands the controversial artist and misogynist Janus Van der Vindt, whose preservation of women as living statues has sparked debate around the world. Van der Vindt’s art is a mystery and a scientific impossibility, and many are eager to see it fail. So when his living statues begin to disappear from Salt’s hotel lobbies around the world, they’re eager to solve the mystery before anyone else catches wind of it.
Neither of them realizes that the journey will take them into the realms of the spiritual and the impossible. The answers lie not in the hands of normal thieves, but at the heart of the changing world, the nature of art and life, and the mind of Henry Salt’s brilliant daughter, whose fascination with the powerful men around her has a profound effect on their destiny.
So, this one’s a bit wordy. The idea has been floating around in my head for years – the living statues were first murder victims turned art, then art turned murder victims. Now they’re something else.
I feel like the last Nanowrimo book blurb was really based around this concept, of a normal storyline turned upside-down. The characters in it were people I tried to make interesting, but they were also tropes, easy to find once I’d picked out a setting.
This blurb is the other way around. I had the characters long before I had any kind of story for them. In fact, I don’t know what kind of story I have for them even now. After all, this is just for Nanowrimo. I haven’t made a big plan yet. But the characters were people I had fun playing around with. And when I moved to Copenhagen, I found a setting into which they fit.
First, you have Henry Salt. He’s a rich man, and a callous man. He likes to work and spend time with Janus Van der Vindt, his artist, primarily because Van der Vindt is controversial. Every time he makes a new piece of art, it’s in the papers. And if Salt commissions that art for his hotel, then his hotel is also in the papers. He doesn’t really care that Van der Vindt has been called a misogynist, a murderer, the antichrist, or a bad human being in general. He’s happy because it helps him make money.
Henry Salt’s most prized possession is his daughter, Medea. Though unattractive at 14, she’s a genius. She’s also attracted in an intellectual way to the 40-something Van der Vindt, who returns the attraction. The idea behind this relationship is not to portray pedophilia, but to make the reader feel slightly uncomfortable, as though their actions aren’t quite appropriate, but cannot be condemned with certainty. This is of course underlined by Van der Vindt’s disregard for other women.
One of the reasons that this book blurb was hard to write was because it’s not really a mystery, nor a fantasy, nor post-apocalyptic literature or action/adventure. I’d like it to have all of those – but not to be any one of them more than the others.
Anyway. That’s another Nanowrimo idea. I’d love to have time enough to write all these novels I’ve been thinking of over the years. Isn’t that how it is with all writers?